Artist | Medic | Educator | Traveler | Blogger

Artist Statement

My interest in travel, exploring new places, and experiencing new cultures have influenced and shaped my artistic approach in photography. For me, photography is not just about eternalizing and documenting moments. It should also record the mood, atmosphere, emotions, and experience the photographer was going through while capturing the image. When someone looks at a photograph, an emotional response should be triggered. What kind of emotional response a viewer has would depend on how they can relate to the photograph. Have you ever had that feeling of familiarity and comfort like seeing an old friend or remembering an experience while looking at a photograph? The instant memory flashback and emotional outflow triggered by a simple vision are priceless. That is what photography means to me and that is what I'm hoping to achieve in my work. 

I don't believe in images that are straight out of the camera because a camera sees differently than the human eye. In most cases, post-processing is required to regain the colors and tones observed by the photographer. Personally, I practice both realistic and impressionistic approach in my work, depending on what I want to convey. I use a combination of global and selective adjustment with more emphasis on the latter to achieve my vision. Sometimes, I also use selective exposure blending to recreate the scene I have photographed. My work is not always about recreating reality but an artwork that is a reflection of my vision, using photography as the medium. Another element that has influenced my vision in photography is my profession from my formal education. I didn’t have any formal training in art or photography. In fact, I was trained as a medical professional. Photography began merely as an interest which gradually evolved into a channel for me to seek serenity amidst my busy schedule. This can be seen in my landscape photographs where my aim is often to bring that sense of calmness I experienced to the viewer. This is also the reason why I render some photographs to black and white to remove the color distraction from the emotions.

"We are all born to drift. Catching the waves on distant shores...before we find our way home with hearts full of memories."


Originally from the southern tip of peninsular Malaysia, I was exposed to photography as early as I could remember. The main influence that led me to photography was my father, he was an avid photographer. As a child, I’d flip through his photography magazines that were always casually lying on the table. I would admire the beautiful printed pictures on glossy papers and wonder how these were created. My father owns an analog, fully manual Olympus SLR with a manual focus lens. Sometimes, I’d sneakily take it out to play when he wasn’t around. 

My first camera was a gift from my parents. It was a Yashica point-and-shoot compact camera. The body was made of plastic and it was white in color. It was an analog camera that has a latch to open the back compartment to exchange films. I used it to take pictures of friends, family, and random things that I see in life. There was a counter on top of the camera that tells me how many shots have been taken. Once a film is finished, I’d send it to a photography shop/studio to get my photos developed. This often takes a day or two so I know the feeling of anticipating the films to be developed into photographs. Several years later, digital cameras came along and I got myself a Canon IXUS 400. It was a silver compact digital camera with a 3x zoom lens and a humble 4MP resolution. Compared to what I have today, it’s fascinating just to realize how far technology has advanced. 

I often considered owning this camera marked the beginning of my photography journey. I was in university at the time and would bring my IXUS everywhere. The photographs I took were mainly sceneries and travel-related as I backpacked through Europe and other parts of the world. A heartbreaking event happened while I was traveling in Paris. I dropped my beloved camera and it stopped working immediately! Although I got it fixed in the end, I thought it was time for me to upgrade. So, I bit the bullet and bought my first “serious” camera, a Canon 40D. This “quantum leap” opened my eyes to creativity that I never thought I could achieve. In the beginning, I did a lot of high dynamic range photography and this went on for several years. As I gained more experience and knowledge in the art, I started to pay more attention to light, composition, and how to connect with viewers through visual content. When I started out, I thought photography was all about the visual effect. But over the years, I have come to realize that the emotional element is more important than its visual, literal form. How much our subconscious gets affected by how we connect emotionally with a photograph is more than what we could comprehend. 



  • 2020 Landscape Photography of The Year - Shortlisted
  • 2020 Siena Creative Photo Award - Shortlisted
  • 2020 8th Zebra Awards - Architecture - 2nd Place
  • 2020 Siena Photo Award  - Series - Finalist
  • 2020 6th Fine Art Photography Awards - Architecture- 3rd Place
  • 2020 Siena International Photo Awards - Series - Finalist
  • 2020 London Photo Festival - Landscape - 3rd prize
  • 2020 MPB Landscape Photography Competition - Runner up
  • 2020 MPB Night Photography Competition - Runner up
  • 2018 I Shot It: Landscape Competition No 4 - Mark of excellence
  • 2018 I Shot It: City Competition No 5 - Mark of excellence
  • 2018 Museum of Bath Architecture - Architectural Photographer of the Year - 5th place


  • 2020 Murze magazine Issue 10 (Printed)
  • 2019 Landscape Photography Magazine Issue 98 (Digital)
  • 2016 Photography Week Issue 197 (Digital)
  • 2016 Photography Week Issue 187 (Digital)
  • 2016 PhotographyTalk - Inspirational Photo of the Day
  • 2011 The Glasgow We Used To Know (ISBN987-0956305435)
  • 2011 National Geographic Travel Guide to Prague (Digital)
  • 2011 Mountain: Portraits of High Places (ISBN9780847834020)
  • 2010 Asia Overland: Tales of Travel on the Trans-Siberian and Silk Road (ISBN9789622178113)


  • 2020 Juries Exhibition - Framed: Landscape and Architecture, Black Box Gallery, Oregon
  • 2020 Group Exhibition - United Through Art, Artios Gallery, New York
  • 2020 Group Exhibition - London Photo Festival, London
  • 2017 Group Exhibition - Showcasing Yorkshire Print Exhibition, Hull
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